Archive for the Movies in development Category

THE DIVINE FEMININE

Posted in 1, Movies in development with tags , , , , , , , on September 17, 2011 by josieemery

       Women are about to change the world

A call to arms.

one line synopsis

Women bringing the world to balance and healing through their own inner power.

one paragraph synopsis

Once the Feminine and the Masculine in harmony ruled a beautiful world, but women were overthrown, and the world descended into brutal chaos. Now we are returning to re-establish the balance of the Feminine and call back our partners to evolve with us in harmony and heal this sick and torn world.

A proposal for an emotionally-charged documentary film and healing journey

                                                                                  written by

                                                                        JOSEPHINE EMERY

How can we live in our authentic femininity and masculinity?

How can these two essential energies live in balance, harmony and equality?

We come from a history of negation of the Divine Feminine and the oppression of women: from sexual abuse to financial oppression. These oppressions remain for so many women, across cultures. How can an individual woman robustly engage with these issues, and through these understandings, live powerfully in every aspect of her life, for herself and others? How can she create for herself a life, and a world, where she can live in partnership  – as the Divine Masculine appears out of the shadow of the domineering masculine? And as the re-emergent Androgyne third gender returns to embrace both Masculine and Feminine?

Climate change, hunger, poverty, war and terror, dispossessed peoples, oppression, mark the ending of the world’s old paradigm of masculine dominance.

Now – in traditional cultures, western cultures, third world cultures – a driving force for change is women. Women coming forward not with anger and violence, but with love, patience, understanding and an absolute refusal to bow to the pressures of the old male dominance patterns.

These are women who often live and speak from a sense of personal spiritual power, a power grounded in feminine knowledge.

Women’s spirituality – rooted in the lived experience of being a woman – is the force that drives the new generations of women to create a world that makes sense to them: where nurturance, not dominance is the focus.

In this film we interview leading spokeswomen – writers, counselors, public figures – for the New Paradigm. We hear from women whose lives have opened up into new possibilities as they shed the old story of oppression and embrace the new.

We interview men who are stepping forward into their sense of the Divine Masculine. We speak with leading transgendered spokespeople who are already living the re-emergent Androgyne in various ways.

Using the stories and myths of Atlantis and other Feminine-principled cultures – and the archaeological findings of Marija Gimbutas and others – we tell a powerfully emotional story of how our world was once a world of nurturance, balance and respect. A world torn apart – Eden destroyed – and the descent into warfare, division, the subjugation of women and now the imminent destruction of the biosphere. Our story takes us on a healing journey that begins with the wrenching apart of the feminine and masculine, and the crippling of the all-embracing third gender, but then reunites these elemental principles once more and shows us the way we can heal ourselves, our relationships, and our planet.

………………………………

Why is this film important?

The aim of The Divine Feminine is to transform the world through the power of women.

The Divine Feminine focuses the individual energies of millions of women into a laser beam of transformation and change.

All around the world women have had enough. We’ve had 10,000 years of male dominance and what have we got to show for it? War, pestilence, violence, climate change, a degraded planet, starvation, disempowerment…the list goes on and on. We’ve had enough. We’re standing up to the bullies and taking back our birthright as the nurturers; as the ones who always clean up the mess they make. We’re here to heal ourselves, our children, our loved ones, and the planet…and we invite the men who care to join us. We’re making our stand in the name of our own feminine principle: the Divine Feminine. Join us.

Key messages.

Women can save – and are saving – the planet by their spirit and actions.

The subjugation and disempowerment of women is not a natural force, but the inevitable outcome of the loss of balance between male and female. This imbalance has led to the serious situation we and our planet now face.

The situation can be remedied – and is being remedied – by the re-empowerment of women within their own right.

Feminine spirituality is as valid as masculine spirituality. It is Goddess-centred and its myths and rituals are based around women’s perception of their bodies and their processes. This feminine spirituality is deeply embedded in our primal memories – embodied in such as the myth of Atlantis. These stories are now resurfacing and being acted out through feminine-spirit-based healing and ritual

………………………………..

                                 JOSEPHINE EMERY:  A PERSONAL STATEMENT

I am making this movie as the culmination of my life’s journey – and my lives’ journeys.

This life of mine has been an extraordinary one. I set myself an enormous obstacle to overcome when I chose to return. I set this lifetime as the one where I fully grasped the Goddess and Priestess power that I had relinquished a long, long, long time ago.

To live that power to its full I had to be born male and – as a mature adult – become female. I had to learn what it was like to walk the earth as a man and then as a woman in order to fully know the dreadful division that has split human energy asunder over the millenia. I had to step knowingly back into my original life energy as the Androgyne, the Berdache: the one who sees because they know both male and female.

Stepping into the full force of my energy flow has also steeped me in many of the lives I had previously lived…and am still living: for time is not linear but an infinite and ever-opening rose of unknowable dimensions.

I chose my path in this lifetime as a writer and story-maker so that I would be able to open to others the wonders, the challenges and the transformative power of a life that holds Masculine and Feminine in balance. There have been times when I let the balance slip – now one way, now the other. There were far too many years when I refused the Call to step into my power…and I suffered for that refusal.

To write this movie I left the city and once again embraced country living. Here I live in the eternal moment and in that moment the presence of the Divine is all around me.

I feel my supernatural helpers with me: the spiritual forces of Light that first revealed themselves to me as a small child on an isolated outback farm. In their presence I reconnect with the earth. I arrived in late winter and began nursing the garden into the beauty of spring. My years of city living were over. I was returning home, at the end of all my explorings and – as TS Eliot – said, “…knowing the place for the first time…”

This documentary is part of that story.  The story of the awakening of Goddess Energy.

Today, just before I began writing, an echidna waddled in through the vegetable beds I had prepared. She calmly ignored me and sniffed out the ants she likes to eat. She rustled into the flower beds and came out next to my feet and there acted as if I did not exist.  Or perhaps, knowing that I did exist but only as another entity of nature like herself and like the ants and grubs she sought. She dug down amongst the roots. I watched her little spade claws heave the dirt out past her rippled, glossy, spined body.

I returned to the computer knowing that, once again, the Goddess had blessed me – as she has done at other times in my life. Most notably when she sent a snake to slide past my bare feet as I sat meditating on sand-dunes by a winter’s beach, wrestling in my mind with the need to call on Her for a sign. She spoke through the snake. She spoke through the echidna.

Now she speaks through me to you through this movie.

YOUR MONEY: YOUR MOVIE

Posted in 1, Creating New Worlds, Movies in development with tags , , , on June 13, 2011 by josieemery

MY CROWD-FUNDING PITCH AT THE WHO WANTS TO BE A TERRORIST LAUNCH

In 2007 I’d not heard of Dee McLachlan or Andrea Buck or their movie, THE JAMMED. But I live next door to an independent cinema. I write movies myself. I keep my eyes open. I went in, sat down, the curtains opened…and I was spellbound. This was the best directed Australian movie I had seen in decades. Not a shot was wrong. It was a thriller and the tension was palpable. The script was tough, tender and knowing. This was pure, genuine movie storytelling. I went back for a second viewing and then took movie-industry friends the third time.

Shot on a tiny budget, THE JAMMED went on to be both a commercial and critical success. It looked like this team was on its way. Yet they found it impossible to raise finance for the next picture. They were about to go under. Dee and Andy’s own lives have been well publicised. Here they were, bucking all sorts of social stigma to raise their family, to cope with huge personal change in their lives, and to go on making superb motion pictures.

And, just at that time, I had come into some money through my dear, deceased mother’s estate. I needed to make some investment decisions.

I looked at their scripts. I knew that for an Australian movie to return its investment locally it would need to come in under $1M. I checked my network for who might have seed money to keep them going. I could only find one person: me! I looked back at their scripts. There was one – really only a treatment – about two young men, one Australian-born and one Arabic-born, caught up in the world of media-exploitation of the fear of terrorism and its evil siblings: racism and cultural paranoia.  This story took those issues head-on. And the budget promised – via digital capture – to be below a million dollars.

So I put my money into it. It was the first money in fact, and it kept their heads above water and got some vital early footage shot. The script kept shifting its focus. It became a comedy. The title changed a number of times. But the essential theme of a media-saturated world that turns every eventuality, every trauma and crisis, into mass entertainment stayed the same. Eventually the script became: WHO WANTS TO BE A TERRORIST.

In making my investment decision I was certainly aware of the bottom line, of the likelihood (or otherwise) of ROI. But my concept of Return On Investment has never been in purely financial terms. I do think in terms of social capital, and emotional and spiritual capital as well. Ideas that were afloat in the 1920s but are very unfashionable in the brave new world of the 21st Century. It’s a world with a well-suited atheism as its creed. There is no God, there is only The Market.

And I do think in terms of risk. Without it there is no growth, no change. There is only stasis. We can go on making the same Australian movie over and over again. Or we can risk change and growth.

I also think that for all of us involved in, engaged with, the Australian movie and media business, and endlessly arguing how to get better product onto the screen, there is one simple, argument-silencing action you can take. Put your own money where your mouth is! Invest in your local movies. And that is so much easier now with online, crowd-funding. Participation is just a click away. And it doesn’t require much of your cash at all. It’s a gesture which can become a film-financing revolution!

Here is the link.  Who Wants To Be a Terrorist.

Kick-Ass Chicks With Guns

Posted in 1, Movies in development with tags , , , , , on April 1, 2011 by josieemery

JOSIE DOES A HIGH CONCEPT MOVIE WORKSHOP

 

I was quite surprised to be chosen for the Screen Australia, Michael Hauge, High Concept Movie Workshop.  I’d needed three ‘high concept’ movie ideas and thought I was clean out of ideas.

My mind soon threw up the usual recycled images from other people’s movies and stuff from the darker recesses of my own psychopathology. Bottom drawer material.

But I knew that somewhere in all that mental detritus would be something. And I knew that at this stage I didn’t know what it was.

All creative artists know the power of living with uncertainty. We know that without this ability we can achieve nothing. That we really do have to keep risking everything if we are to achieve anything. We do have to make fools of ourselves in order to discover our wisdom. Our wisdom is in knowing that foolishness is the first step upon the path.

A year earlier I’d written an essay about Road Movies for the AFTRS Lumina Journal.

I wrote,

The Road Movie is existential. In it we don’t have time for the God question. We have to keep moving. We have to react to circumstances that seem to come randomly at us – yet are probably called up by our own, inner turmoil.

Writing that I’d had a vision of a woman at the wheel of a big truck, pursued by she-knows-not-what. Only that she must keep driving and driving and that death is stalking her and that the load she carries is dangerous in the extreme.

I took the vision, that image, and played with it and saw her as a soldier, her truck loaded with explosives, pursued by her own side.

The story was short of at least two characters: the Villain and the Helper. I let the Villain sit. I visioned her Helper.

Only her sister can help her, but they have nothing in common.

I was embarrassed by its raw simplicity. It had shed all intellectual/existential pretension to reveal itself as story: pure and simple. And when I applied Michael’s High Concept story template to it I could see how it would work and I knew my Villain.

I’ve always had my own story templates in my head and have disdained ‘working to a formula’: afraid it would bury my philosophical concerns about the human condition. But I wrangled the story into his 6-stage plot structure, all in one-and-a-half pages.

His structure filled the gaps between the ‘turning points’ in the old 3-Act Screenplay structure. It was a left-brain structure that focused right-brain thought.  It forced me to find actions, not words, to drive an action movie. The ‘strait-jacket’ of a template became a release into marrying form with function. It gave me the key to transform movie roles traditionally reserved for men: ‘Die Hard’, ‘Speed’, but with the hero a woman. A role model for young women today, seizing power from the patriarchy.

Or, as Michael said of it: ‘Kick-ass chicks with guns!’

MOVIES IN DEVELOPMENT

Posted in Creating New Worlds, Movies in development on February 12, 2009 by josieemery

 

MAIDEN VOYAGE

by

JOSEPHINE EMERY

A solo yachtswoman, a runaway freighter, a precious cargo: and death stalking her.

Michelle is  a young solo yachtswoman, her boat sinking in the Southern Ocean. Her only hope is a small freighter that is bearing down on her. But when she boards it she finds the crew is dead! And she comes to realize that she is not alone. She has to battle the elements, her own demons, and the Sea Jackal, sent to sink her, as she fights to save her precious cargo.

Third draft treatment. Script development investment by Screen Australia.

 

INTO THE LIGHT

by

JOSEPHINE EMERY

‘Thelma & Louise meets Ghost Busters’

A young woman on a road journey to reunite with her dying mother. She’d never make it but for the assistance of her two invisible alien helpers. Together they challenge the system, the malls, the boyfriend,  free the dolphins and discover universal love and understanding.

Screenplay for a comedy.

A road movie…with aliens.

 

 

 


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